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6 FRIENDS (NBC) Overexposure has led to a widespread underrating of this still-excellently written, hilariously performed show.

True, Lisa Kudrow’s Phoebe seems stuck in a dumb-chick rut, and David Schwimmer’s Ross is becoming dismayingly sappy.

Dave Foley, as the radio station’s put-upon news director, is probably the subtlest actor in sitcoms, whereas Phil Hartman and Andy Dick thrive on reckless excess.

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Very often, Larry Sanders is so funny I have to choke back a guffaw lest I miss the next punchline.

And I can’t think of another sitcom that repays taping and repeated viewing as well.

This season, Anthony La Paglia replaced Benzali and offered a hero who was prickly and arrogant in a more engaging way.

The Waltons’ Ralph Waite has been a marvelous skunk of a baddie, and Missy Crider’s work as a hapless murder defendant who also happened to be, as one character puts it, ”a major hottie,” gave One a fresh jolt of energy.

So far, the David-less new season has been uneven but agreeably wacky.

High point thus far: Michael Richards’ Kramer accidentally entering the corporate world and having his entire business career rise and fall in the space of 30 minutes.

So few viewers are watching that this vote is probably for a lost cause: big mistake, America.

8 PROFIT (Fox) In the year’s stupidest programming move, Fox canceled this strikingly original series after a scant four episodes.

You probably don’t remember, but Profit was a wittily bleak show about corporate shark and high-functioning sociopath Jim Profit (the magnificently oily Adrian Pasdar), who’d been raised in a cardboard box and parented by an always-turned-on TV set.

Less a dig at big business than a fulmination against all media culture, Profit was the funniest scary drama of the year.

The ongoing theme — alien invasions in the time of the Kennedy administration — manages to be boring, trite, and tasteless all at the same time.

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