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Three other shakhas are mentioned in Caraṇavyuha, a pariśiṣṭa (supplement) of Yajurveda: Māṇḍukāyana, Aśvalāyana and Śaṅkhāyana. The differences between all these shakhas are very minor, limited to varying order of content and inclusion (or non-inclusion) of a few verses.The following information is known about the shakhas other than Śākalya and Bāṣkala: There are, for example, 30 manuscripts of Rigveda at the Bhandarkar Oriental Research Institute, collected in the 19th century by Georg Bühler, Franz Kielhorn and others, originating from different parts of India, including Kashmir, Gujarat, the then Rajaputana, Central Provinces etc.

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The Rigveda was probably not written down until the Gupta period (4th to 6th centuries AD), by which time the Brahmi script had become widespread (the oldest surviving manuscripts are from ~1040 AD, discovered in Nepal). recensions) of Rig Veda are known to have existed in the past.

The oral tradition still continued into recent times. Of these, Śākalya is the only one to have survived in its entirety.

After a scribal benediction ("śrīgaṇéśāyanamaḥ ;; Aum(3) ;;"), the first line has the opening words of RV.1.1.1 (agniṃ ; iḷe ; puraḥ-hitaṃ ; yajñasya ; devaṃ ; ṛtvijaṃ).

The Vedic accent is marked by underscores and vertical overscores in red.

Within each collection, the hymns are arranged in descending order of the number of stanzas per hymn.

If two hymns in the same collection have equal numbers of stanzas then they are arranged so that the number of syllables in the metre are in descending order.

They were transferred to Deccan College, Pune, in the late 19th century. 1/A1879-80, 1/A1881-82, 331/1883-84 and 5/Viś I) have preserved the complete text of the Rigveda. 5/1875-76, written on birch bark in bold Sharada, was only in part used by Max Müller for his edition of the Rigveda with Sayana's commentary.

They are in the Sharada and Devanagari scripts, written on birch bark and paper. The 30 manuscripts of Rigveda preserved at the Bhandarkar Oriental Research Institute, Pune were added to UNESCO's Memory of the World Register in 2007. Müller used 24 manuscripts then available to him in Europe, while the Pune Edition used over five dozen manuscripts, but the editors of Pune Edition could not procure many manuscripts used by Müller and by the Bombay Edition, as well as from some other sources; hence the total number of extant manuscripts known then must surpass perhaps eighty at least.

The eighth and ninth mandalas, comprising hymns of mixed age, account for 15% and 9%, respectively.

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