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It was called simply "36C", from her chest measurement, and had a 16-bit microprocessor and voice synthesiser that allowed primitive responses to speech and push button inputs.

In 1983, a busty female robot named "Sweetheart" was removed from a display at the Lawrence Hall of Science after a petition was presented claiming it was insulting to women.

The 1964 TV series My Living Doll features a robot, portrayed by Julie Newmar, who is similarly described.

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In science fiction, female-appearing robots are often produced for use as domestic servants and sexual slaves, as seen in the film Westworld, Paul J.

Mc Auley's novel Fairyland (1995), and Lester del Rey's short story "Helen O'Loy" (1938), Examples include Hephaestus in the Iliad who created female servants of metal, and Ilmarinen in the Kalevala who created an artificial wife.

The first gynoid in film, the maschinenmensch ("machine-human"), also called "Parody", "Futura", "Robotrix", or the "Maria impersonator", in Fritz Lang's Metropolis is also an example: a femininely shaped robot is given skin so that she is not known to be a robot and successfully impersonates the imprisoned Maria and works convincingly as an exotic dancer.

They fought in two multi-part episodes of the series: "Kill Oscar" and "Fembots in Las Vegas", and despite the feminine prefix, there were also male versions, including some designed to impersonate particular individuals for the purpose of infiltration.

As more realistic humanoid robot design is technologically possible, they are also emerging in real-life robot design. Robotess is the oldest female-specific term, originating in 1921 from the same source as the term robot.

A gynoid is anything that resembles or pertains to the female human form.

A gynoid (or fembot) is a humanoid robot that is gendered feminine.

Gynoids appear widely in science fiction film and art.

Fiction about gynoids or female cyborgs reinforce essentialist ideas of femininity, according to Margret Grebowicz.

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